Tango – let me into your secret. Berliner Impressionen
Zur Reisebeschreibung durch die Berliner Welt des Tangos versammelt Marlen Wagner Fotokunstarbeiten, literarische Texte, persönliche Meinungen, historische Tangomusik, filmische Augenblicke …
Guest commentary on „Tango – let me into your secret“
As an observer, Marlen Wagner explores the mysterious facets of Tango Argentinos in “Tango – let me into your secret”. Her photographic works show snapshots, chance encounters.
Im Gespräch mit Marlen Wagner
In her photographic art, Marlen Wagner finds a way to combine her passion for dance and her fascination for movement swings and lines.
In conversation with Robert Krokowski
As a writer and text practitioner, Robert Krokowski deals with the creation of words, characters as well as the decoding of messages …
Lateritour I Portmanteau Word as Messages in a Bottle
Robert Krokowski jokingly refers to his installations with brick fragments and erosion forms made of fired red clay as Lateritour. “Lateritour” is itself a portmanteau word and at the same time a paragram and an anagram.
lateritour – in exposed position
In Robert Krokowskis Landart-Installationen der Serie in exposed position finden sich wechselnde Ziegel-Schichtungen, in denen die roten Ziegelfragmente in den Horizont der See gestellt werden.
Making of: While reading the Letters of an Angel
What leads a Berlin text practitioner and an American artist to a joint project? The two artists met via an unusual path. On an internet platform for photography …
Über Umwege zum Wasser
Ulrike Warmuth nimmt uns mit auf eine Reise, an deren Ende sich zeigt: Ein Ziel kann oft nur über Umwege erreicht werden – ein interaktives eBook …
The Secret of Tango
Tango and tango dancing also pose the question of a secret that belongs not only to the tango itself but also to the dancers. But it only reveals itself if you keep on dancing. And “tango. let me into your secret” invites you to do just that.
in motion I Photographs of a moment I Marlen Wagner
The hunt for the perfect moment ends with the death of the hunter, not with that of the prey. But is it about hunting the moment – or about experiencing it and only becoming aware of it in its transience?